Friday, March 1, 2013

Oscars - What Oscars?


Of course, The American Academy of Motion Picture Arts and Sciences Awards, and the vast majority of the films that contest them, are a slavering, hyperbole fuelled nonsense... 

Or are they?

The picture above, one of the great films, featuring a supremely talented ensemble cast and two magnificent central performances, puts the above contention into highly entertaining perspective.  

Judy Garland, a shoe-in for the 1954 best actress Oscar in Cukor's remake of 'A Star is Born,' lost out to, an albeit fine performance from Grace Kelly in 'The Country Girl,' in what Groucho Marx - who knew a thing or two about celebrity and its malign influences - called 'the biggest robbery since Brinks.'

The conservative nature of The American Academy tacitly enshrines and ensures that a certain kind of film nearly always wins the big prizes - it's nothing new when a John Sayles film fails to win anything.

Some of the greatest movies, actors and directors have never won an award, any award.  And, as in the famous example indicated above, great actors, great performances - often genre defying and defining - are routinely passed over in favour of what undoubtedly are/are perceived to be, both at the time and retrospectively, lesser works.

I've always preferred films that either poke fun/ignore the self satisfied smugness of awards, and the often ludicrous ceremonies that accompany them, or which celebrate the craft of writing, performing and direction above all else.  

It doesn't matter who wins, it's the not taking part that counts....

 














 

 

Sunday, February 17, 2013

Glasgow Film Festival 14-24 February


The Glasgow Film Festival has been going for nearly 10 years now - almost - and it's showing no signs of getting wearisome. This year's festival has a number of delights to tease, torment and tantalise including, for this moviegoer, a retrospective of the movies of James Cagney, the sweetly sado-masochistic showing of Spielberg's 'Jaws' at the Tall Ship and a welcome showing of Mario Bava's marvellous 'Black Sabbath;' newly restored and all the more sexy and scary for it. 

 

The veritable and venerable Monorail film club have chosen 'Big Star: Nothing Can Hurt Me,' as one of their picks of the festival. For those of you unfamiliar with one of Memphis' finest, this is a fabulous introduction - including interviews with both Andy Hummell and Jody Stephens. It promises to be something special.  

A highlight for this writer, is the showing of Carl Theodor Dreyer's 'The Passion of Joan of Arc,' at Glasgow Cathedral.  Dreyer's film is one of the most evocative ever made, and has stood, more than any of its contemporaries, the screen test of time.  With a live musical and vocal accompaniment, it promises to be a crowning highlight of the festival.



So, whether it's David Hayman playing the parts (sic) of Sawney, Jake Schreier's wryly delivered comedy of human and robotic manners, 'Robot & Frank,' or Billy Wilder's supremely gothic melodrama, 'Sunset Boulevard,' there's something for just about everyone in this year's festival.  

You really should go.

To finish, two trailers for films I really want to see...





Monday, December 24, 2012

Shaky, rattle and roll...

Michael Barratt, otherwise, and far more famously known as, Shakin' Stevens will be the grand old age of 65 next year.  

Most people will remember Shaky as an incredibly charismatic performer - his string of 11 top 5 chart hits in the 1980's bearing eloquent testimony to his abilities to entertain and beguile.  What many forget/do not know is, prior to 1981, and his first UK number one record, Shaky had been a performing and recording artist for 13 years - gigging up and down the country and abroad with The Sunsets - to considerable acclaim.

The Sunsets were, as contemporary articles agree, one of the great live bands, attracting the attention of NME hacks, John Peel - who attempted to sign them to his own Dandelion record label and, finally, and certainly most importantly for Stevens himself, Freya Miller who signed him to Epic Records.

The rest was history....

Thanks Michael and thanks to the mighty Shakin' Stevens and The Sunsets - one of the great British exponents, along with Billy Fury, Johnny Kidd and Bob Fish, of rrreal Rock and Roll...



Lastly, and entirely in keeping with Michael's music, Everyone here at Twat Bubble would like to wish you all a Merry Christmas and a Happy New Year!